9/25/2019 Russell Lovely Album Zip
Released20 November 2006 ( 2006-11-20)Recorded1963–1969Studio, and studios,EMI Studios, and,; mixed 2004–2006 atLength78: 38 (CD)80: 28 (DVD-Audio)86: 41 (iTunes)//,CompilerGeorge Martinchronology(2006)Love(2006)(2009)Love is a of music recorded by, released in November 2006. It features music compiled and as a for the show. The album was by and his son, who said, 'What people will be hearing on the album is a new experience, a way of re-living the whole Beatles musical lifespan in a very condensed period.'
The album was also George Martin's final album as a producer before his death in 2016. Contents.Background Professional ratingsAggregate scoresSourceRating83/100Review scoresSourceRatingA8/108.5/106/10George Martin and his son Giles began work on Love after obtaining permission from, and (the latter two representing the estates of and, respectively). The idea for using the Beatles' music in a production had originally come from Harrison, who died in November 2001, through his friendship with the company's founder,.Speaking to editor Jim Irvin in December 2006, Giles Martin said that he first created a demo combining ' with ', which he then nervously presented to McCartney and Starr for their approval. In Martin's recollection, 'they loved it', with McCartney saying: 'This is what we should be doing, more of this.' In discussing the project, Giles Martin noted that elements were used from recordings in the Beatles catalogue, 'the original four tracks, eight tracks and two tracks and used this palette of sounds and music to create a soundbed'. Because he was concerned that they might not get the green light to proceed with Love, he began by making digital back-ups of the original multi-track recordings, just to get started on the project. He also said that he and his father mixed more music than was eventually released, including ' and a version of ' that he was particularly fond of, which was eventually released in 2011 as a bonus track on the album on.McCartney and Starr both responded very positively to the completed album.
McCartney said that it 'puts The Beatles back together again, because suddenly there's John and George with me and Ringo'. Starr commended the Martins for their work, adding that Love was 'really powerful for me and I even heard things I'd forgotten we'd recorded'.Love was first played publicly on 's., the show's host, chose to play the entire work uninterrupted, to allow younger fans to experience an album premiere.Love placed at number 3 in the during its first week of release, trailing 's and ' compilation. It was also successful in the United States, debuting at number 4 on the, where it was certified in late 2006. At the 50th annual Grammy Awards on 10 February 2008, the album won Grammys in two categories – Best Compilation Soundtrack Album and Best Surround Sound Album.Release details The album was released as a standard version, a two-disc CD and package, a two-disc vinyl package, and as a. The DVD-Audio disc contains a 5.1-channel mix (96 kHz 24-bit ), downmixable to two-channel.
For backwards compatibility it also contains separate audio-only content with two-channel stereo (48 kHz 16-bit PCM) and 5.1-channel surround (448 kbit/s and 754 kbit/s ).RegionDateLabelFormatCatalogueJapan15 November 2006CDTOCP-70200CD/DVD-AudioTOCP-70201United Kingdom20 November 2006,CD3798082 / 0946 3 79808 2 8CD/DVD-Audio3798102 / 0946 3 79810 2 3United States21 November 2006Apple, EMICD0946 3 79808 2 8CD/DVD-Audio0946 3 79810 2 3United Kingdom30 April 2007Apple, EMI0946 379 808 11Track listing. George Martin assembled over 100 clips from Beatles songs; he is seen here at a performance of the Love stage showThe and iTunes releases contain longer versions of ' and ', increasing the total running time by about two minutes.
The elder Martin was assisted by his son Giles in the studio, compiling and remixing the various fragmentsLove contains elements from 130 individual commercially released and demo recordings of, and is a complex remix and polymix of multiple songs known as a. While a complete list has not been disclosed, highlights of how the elements were mixed have been noted by the press. ' – An interview in revealed that the opening track includes the bird sounds used in the version of ', as well as '. In addition, a new recording of a was implemented 'to make it more British', according to. Towards the end of the track, it features the reversed final chord from '. ' – As reported, the track uses the opening guitar chord from ', the drum and guitar solos from ', percussion from ', and the orchestral swell from 'A Day in the Life'.
' – This track is much shorter than the original version, containing fewer vocals. The track contains McCartney's 'Oh, no' and 'Hello, hello' both from ', guitar from ', violin from ', brass from ' and ' and sound effects from '. ' (with ' transition) – After the 'Julia' transition it contains elements from 'A Day in the Life' and ', as well as sound effects from '.
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' – In an interview, George and stated that elements from both the studio recording and the live performance were used in the mix. '//' – The medley features the guitar solo from ' and the horn section from '. According to an interview with George and Giles Martin, they also remixed keyboards from 'Lucy in the Sky with Diamonds' and backing vocals from 'Helter Skelter' into the track. 'Gnik Nus' – The track contains the vocal arrangement of ' played in reverse and accompanied by drone. ' (with ' transition) – The track contains vocal elements from ', and laughter from ' in the 'Blue Jay Way' transition. '//' – The track contains the whole of 'Being for the Benefit of Mr.
, the guitars from 'I Want You (She's So Heavy)', and heavily delayed vocals from 'Helter Skelter'. This track also includes horse sounds from ', and other elements from ' and laughter from '. ' – This version builds from an acoustic to incorporate sections of take 1 of the song (including harmony vocals that were cut from the edit of take 1 issued on the 1996 compilation) and take 26. At the end of the track, it includes the orchestral section from ', the piano solo from ', the brass included in 'Penny Lane', the cello and harpsichord from 'Piggies', and the coda of 'Hello, Goodbye'. According to author John Winn, part of ' also appears in the closing mashup. '/' – This track combines the vocals and the from 'Within You Without You' with the bass and drums from 'Tomorrow Never Knows'.
' – This track contains the drum roll from 'Being for the Benefit of Mr. , the from ', horns, guitars, bass and drums from 'Sgt.
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